BELOVA/Human-arm puppet creation workshop, by Natacha Belova (english version)

  • 150 €

Human-arm puppet creation workshop, by Natacha Belova

  • Cours
  • 11 Leçons

 
Through these 8 video capsules Natacha Belova will guide you through the process of making a human-arm puppet; from the original design to the first stage appearance.  
The human-arm puppet is attached to the puppeteer’s waist and their legs and hands become those of the puppet. The bodies of the puppet and puppeteer combine into a single unit. 
Fabrication method: the head will be sculpted out of clay and finished in Worbla (thermoplastic resin) and the body will be made from foam. 
In these 8 video capsules, Natacha will be making a puppet for a project that she intends to stage. This is not just about sharing the secrets of puppet-making step-by-step, but it also involves serious considerations of meaning and form; which are an essential part of the process of making a puppet. 
The process is divided up into the following steps: preparation (project, visual palette, outline sketches, materials); clay sculpture of the head (pattern, volume, proportions, the character’s personality); the eyes (either sculpted in the clay or made separately and added later); sculpting the hand; finishing the head in thermoplastics (covering with sheets of resin, finishing touches, fitting the eyes, fitting the control rod); making the body (cutting out the torso, the arms, assembly); making the neck, hair, painting; costume; stage testing with the actress/puppeteer Tita Iacobelli. 
 
For this first workshop the puppet’s mouth will not be articulated. 
 
You will have access to the information and videos over a period of one year as of your registration for the workshop. 
Warning! Before registering, check that you can buy Worbla finest art thermoplastic in your country.
 
 
To get English sub-titles for the videos, click on the CC button and select English

Objectives

  • Acquire the tools and skills necessary to make a puppet
  • Amass sources of inspiration
  • Sketch the design of the puppet
  • Learn the basics of sculpting in clay and foam
  • Learn how to model with worbla
  • Build up an idea of the various techniques available for making eyes
  • Considerations on how to use costume, make-up and hair to develop a character
  • Consideration of the effects of lighting and distance on the perception of the character

Target audience

Puppeteers, actors/actresses, dancers, stage designers, film-makers, performers, other artists interested in puppets.

Contents

INTRODUCTION

Video and description
List of the materials

1 PREPARATION

The project
The visual palette
The design sketches
The materials

Video and description

2 SCULPTING THE HEAD

The pattern
The volume
The proportions
The personality

Video and description
Drawing of a skull

3 THE EYES

Eyes as part of the sculpture
Eyes added separately

Video and description

4 THE HAND

Sculpting the hand in clay
Covering with thermoplastic
Finishing touches

Video and description

5 CONTINUING THE HEAD IN THERMOPLASTIC

Small sample head as test
Covering with two layers of thermoplastic
Finishing touches
Fitting the eyes
Fitting the control rod

Video and description

6 THE BODY

Patterns for the body
Cutting out the torso
Cutting out the arms
Assembly

Video and description

7 NECK, HAIR AND PAINT

Making the fabric neck
Finding the right material for the hair
Painting the face

Video and description

8 COSTUME AND STAGE TESTING

Tests
Meeting the actress/puppeteer, Tita Iacobelli
Stage tests

Video and description